Porta de Galinhas
I envisioned this as a bossa nova with a tenor sax lead providing a nod to Stan Getz, and with supporting trombone on the melody. I was influenced by Curtis Fuller’s and Urbie Green’s work with Antonio Carlos Jobim for the trombone parts.
Instrumentation:
Tenor sax
Trombone
Rhythm (piano, guitar, bass, Latin percussion)
I envisioned this as a bossa nova with a tenor sax lead providing a nod to Stan Getz, and with supporting trombone on the melody. I was influenced by Curtis Fuller’s and Urbie Green’s work with Antonio Carlos Jobim for the trombone parts.
Instrumentation:
Tenor sax
Trombone
Rhythm (piano, guitar, bass, Latin percussion)
I envisioned this as a bossa nova with a tenor sax lead providing a nod to Stan Getz, and with supporting trombone on the melody. I was influenced by Curtis Fuller’s and Urbie Green’s work with Antonio Carlos Jobim for the trombone parts.
Instrumentation:
Tenor sax
Trombone
Rhythm (piano, guitar, bass, Latin percussion)